San Francisco Full Moon Night Photography Workshop Dates: Friday September 12, Saturday Sept.
13, Sunday Sept. 14, and Saturday Sept. 20, 2008 Curriculum The first meeting is held on Friday September 12 at Fort Mason and includes an overview of recently published "night work," as well as classic reference texts, and hard to find out-of-print monographs. This session also features a slide show outlining the long history of Night Photography, focusing on famous practioners, as well as equally important, though lesser-known, pioneers of this exciting genre of photography, and a discussion of "Why you photograph at night?" In addition to these areas of general interest, there is a lengthy discussion of technical considerations, and students are encouraged to bring previous work done nocturnally for evaluation. Tim will discuss in depth some prints of his on display - many done on-site in the GGNRA - to aid participants in their immediate 'foray' into the dark, with emphasis on the "mixed" lighting situations that one finds while working at night, as well as tips to "mixing" your own varied light sources, and the in-camera "dodging" technique of controlling the overall contrast of a night scene on film, or with digital cameras. Finally, several hours (or as late as participants want to stay out photographing) will be spent shooting the architecture, rolling hills, and waterfront areas around Fort Mason. Saturday night will be spent photographing in San Francisco's newest National Park, the historic Presidio of San Francisco. The third night we photograph on location in the Marin Headlands, mostly under the illumination of the Full Moon. Students will continue working on their self-assigned projects (to at least finish the roll of film in their cameras) and return for a critique within one week - or by arrangement - to discuss and critique their work. A special Guest Lecturer will present work - a very popular part of the workshop - at this time. Emphasis will be on evaluating existing lighting situations and exposing accordingly. Supplemental lighting possibilities will be discussed and demonstrated. Transparency, b/w, color negative films, as well as digital, will be discussed and compared. This is an intensive workshop limited to 10 participants who will be closely supervised on location. Students will provide their own equipment and are expected to be familiar with basic photographic techniques. An equipment and film list will be provided upon receipt of deposit. Accommodation assistance and tourist information is available. Please print all pages of this form, fill them out and mail or fax
to: For additional information email us at workshop [at] thenocturnes [dot] com REGISTRATION FORM: San Francisco 4 Night Workshop
Credit Card: Visa _______ Mastercard _______ Amount: ________________________Credit Card Number: ___________________________________________ Expiration: ____ / ____ Name on Card: ____________________________ Zip Code corresponding to Credit Card: ____________________________ Authorized Signature: __________________________________________ (Note that "Pacific Media Arts" will appear as the payee on your Credit Card statement.) Pacific Media Arts and The Nocturnes reserve the right to change faculty or cancel courses as necessary. Each tuition includes a 10% non-refundable registration processing fee. Returned checks are subject to a $25 service charge. The balance of the tuition is refundable (2 weeks before start of the event) only by written request to Pacific Media Arts (snail-mail) AND The Nocturnes Web site (workshop [at] thenocturnes [dot] com). There will be NO REFUNDS AFTER THAT TIME. Photographic Experience / Interest in Night Photography:
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